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This is the first volume in our historic collection of Liszt's own two-piano versions of his 12 symphonic poems from the Weimar period (1848-61). The 3-disc series comprises the first complete recording of these works, most of which had disappeared from the repertoire by the turn of the century.

This is the second installment in the Pacifica Quartet's highly anticipated, four–volume CD survey of the complete Shostakovich string quartets: The Soviet Experience: String Quartets by Dmitri Shostakovich and his Contemporaries.

Flourishing American composer Stacy Garrop’s first album of orchestral music features the world-premiere recording of her Mythology Symphony, a five-movement work inspired by famous female figures from Greek mythology. Characterized by Garrop’s talent for lyricism and vivid storytelling, the symphony receives a typically vibrant and compelling performance by Billboard-charting international conductor Alonda de la Parra leading the Chicago College of Performing Arts (CCPA) Symphony Orchestra of Roosevelt University.

Gaudete Brass makes its Cedille Records debut with Chicago Moves, an album of new and diverse American works for brass quintet, all but one are world-premiere recordings written expressly for this Chicago-based ensemble of young brass virtuosos.

The internationally celebrated, Grammy Award-winning Pacifica Quartet joins forces with legendary pianist Menahem Pressler of the Beaux Arts Trio for Johannes Brahms’s Piano Quintet in F Minor, Op. 34, a pillar of German Romanticism that opens with one of the most recognizable melodies in classical music. Pressler, a consummate chamber artist, performs the virtuosic piano part with a clarity and transparency that makes the piano seem like a fellow member of the string ensemble.

This is the third installment in the Pacifica Quartet’s highly anticipated, and already highly acclaimed four-volume CD survey of the complete Shostakovich string quartets: The Soviet Experience: String Quartets by Dmitri Shostakovich and his Contemporaries.

Pianist and composer Easley Blackwood performs a novel program of modernist masterpieces from the first half of the 20th century — nearly 75 minutes of music by modernist icons, as well as composers better known for conventional lyricism, such as Copland, Nielsen, and Prokofiev.

Enterprising chamber group Fifth House Ensemble, noted for its “conviction, authority, and finesse” (New York Times), joins forces with swinging and virtuosic Mediterranean folk band Baladino and 2014 Rome Prize-winning composer Dan Visconti for an exhilarating, boundary-breaking collaboration.

"While Joachim essentially looks backward to the late-Classical models, Brahms charts entirely new grounds in form and substance. What a difference two decades makes. Particularly in the two finales, Barton makes them appear to be two sides of the same coin. Her performances in these works are so memorable... Barton brings a breath of freshness as soon as she enters." -The Strad