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Jewish Cabaret in Exile

The New Budapest Orpheum Ensemble’s Jewish Cabaret In Exile follows its acclaimed recording debut, Dancing on the Edge of a Volcano — Jewish Cabaret, Popular, and Political Songs 1900–1945.

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When There Are No Words — Revolutionary Works for Oboe and Piano

Grammy Award-winner Alex Klein, the Chicago Symphony Orchestra’s principal oboe emeritus, and pianist Phillip Bush perform works by composers from both...


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Songs from Spoon River

Cedille Records presents a career-spanning collection of sublime songs by celebrated Chicago composer Lita Grier, who has crafted contemporary settings for works by illustrious English and American poets.


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Excelsior

Visionary chamber-music group Fifth House Ensemble of Chicago aims for the stratosphere with Excelsior, its adventurous debut album on Cedille Records. The title refers to an experimental, extreme-altitude U.S. Air Force project of the Cold War era, reimagined as music by noted contemporary composer Caleb Burhans.

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A French Soirée

A French Soirée is the newest installment in Trio Settecento’s acclaimed, country-by-country grand tour of the European Baroque on Cedille Records. The new CD is a companion to the period-instrument ensemble’s An Italian Sojourn and A German Bouquet.

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Paperno Plays Chopin

Pianist Dmitry Paperno is delighted when observers note similarities between the disciplined power and passion of his playing and the music of Chopin. "It's my approach to music in general and Chopin in particular," he says.

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Dreams of a New Day — Songs by Black Composers

Fast-rising American operatic baritone Will Liverman, tapped for major roles at principal opera houses across the country, makes his Cedille Records debut as a featured artist with Dreams of a New Day, an intimate, heartfelt recital he calls “a passion project . . . years in the making.”

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The Billy Collins Suite: Songs Inspired by his Poetry

Billy Collins, former U.S. poet laureate, has been hailed as the first American poet since Robert Frost to garner great critical acclaim and broad popular appeal in equal measure. Musical settings by five contemporary American composers — some sung, some narrated over instruments — shed new light on Collins's delightfully witty poetry.

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Solo Baroque

"Pine brings to [Biber’s Passacaglia] a gentleness and occasional brilliance, teasing out its long, mournful lines, which so often threaten to fade into nothingness. Westhoff’s Suite, by contrast, is quite a jolly affair, a four-movement set, all of it eminently danceable. Pine is alive to its springing rhythms and attractive melodies, and takes its multiple-stopping challenges in her stride… Pine plays [Pisendel’s Sonata] with astonishing clarity and articulation. Bach works bracket the disc and she performs them with mature authority and a sure touch for drawing out and shaping contrapuntal lines. The final Chaconne is wonderfully shaped and fluent. This is a fascinating CD, with Pine consistently drawing great things from her 1770 Nicola Gagliano violin." - The Strad

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Corridors of Light: Music of William Ferris

Corridors of Light offers world-premiere recordings of four choral and orchestral works by revered American composer and choral director William Ferris (1937-2000). This generously programmed, mid-price CD with nearly 72 minutes of music is the first commercially distributed recording of a significant selection of Ferris's orchestral compositions. The pieces, all written in the 1960s and 1990s, exhibit the composer's distinctive sound, characterized by wistful, playful, and passionate melodies. Ferris himself conducts two of the performances.

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Blues Dialogues: Music by Black Composers

Violinist Rachel Barton Pine headlines a groundbreaking album of blues-influenced classical works for violin by 20th and 21st Black composers.

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Early Chamber Music of Elliott Carter

This CD of Elliott Carter's adventurous early chamber music is designed to appeal to newcomers, as well as aficionados of this renowned contemporary American composer. "Early Chamber Music of Elliott Carter stands out amid Carter CDs because it's accessible from beginning to end," says producer Jim Ginsburg. "The selections are certainly substantial enough to appeal to the composer's hard-core fans, but without discouraging the uninitiated." The pieces, from 1945 to 1950, are "early" in the body of work that made Carter (1908-2012) famous, not the products of a novice composer.

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