Search Results: Valid C1000-182 Exam Guide 🗨 C1000-182 Examcollection Dumps Torrent 🌯 C1000-182 Real Sheets 🎸 Search for ☀ C1000-182 ️☀️ and download exam materials for free through ⇛ www.pdfvce.com ⇚ 🐞Latest C1000-182 Training

Celebrated Mexican-born pianist Jorge Federico Osorio showcases solo piano works by his countryman, Manuel Ponce (1882-1948), who revolutionized Mexican music by fusing indigenous native and Spanish sounds with European classical forms.

Pianist Easley Blackwood, celebrated for his performances of transcendentally difficult modern works, made his Cedille recording debut with this imaginative excursion through works by two early-20th century modernists.

Combine Schubert's gift of melody with Beethoven's flair for drama, and you have the music of their respected friend and colleague -- the Bohemian composer Jan Václav Hugo Vorísek. Unlike his better-known contemporaries, Vorísek (pronounced VORH-zheh-shek) composed few large-scale works in his tragically short lifetime (1791-1825), but what gems they are. His exquisite Mass in B-flat Major is a perfectly proportioned Classical masterpiece in the tradition of the great masses of Haydn and Mozart. Surprisingly, this new CD is the only readily available recording. Vorísek's only symphony, the Symphony in D Major, is "a work of impressive confidence and command, firmly constructed and colourfully scored" (Gramophone). If you love the great Viennese classicists, you'll adore Vorísek.

High-Energy Tracks from Chicago’s Classical Record Label Cedille Records presents a disc of high-energy selections from our 100+ CD catalog, ideal for keeping you "on the move," whether walking, running, biking, driving, exercising, or just enjoying the music’s rhythmic drive. The tracks run the gamut from a Vivaldi flute concerto, to symphonic works by late-Classical era composers from Bohemia (Franz Krommer and Jan Vaclav Hugo Vorísek), to (later) 19th century concertos and chamber works, to seven selections by contemporary or very recent composers. All feature propulsive rhythmic energy designed to keep the music (and you) "on the move."

Liquid Melancholy, featuring virtuoso clarinetist John Bruce Yeh of the Chicago Symphony Orchestra, exudes a kaleidoscope of colors and moods while showering listeners with attractive melodies in a program of music by James M. Stephenson, one of America’s most popular and prolific present-day composers.

Franz Liszt's most familiar works — six of his Hungarian Rhapsodies — are best known in their original solo piano versions and Liszt's orchestrations. Pianists Georgia & Louise Mangos, two "first-rate Lisztians" (Fanfare), perform Liszt's rarely heard, exhilarating duet versions (one piano, four-hands).

Conductor Mei-Ann Chen and the Chicago Sinfonietta — the adventurous, MacArthur Award-winning orchestra that champions racial, ethnic, and gender diversity in classical music — give world-premiere recordings of newly commissioned American works by Jennifer Higdon, Clarice Assad, Jessie Montgomery, and Reena Esmail on Project W: Works by Diverse Women Composers, the capstone project of its 30th anniversary season.

American composer Robert Kurka was on the threshold of a major career when cancer cut his life short in his mid-30s. "[A] splendid sampling of Kurka's orchestral works. . . . The pieces recorded here reveal a prodigious imagination coupled with relentless energy." (La Scena Musicale)

Noted piano duettists Elizabeth Buccheri and Richard Boldrey offer a fascinating collection of piano duet music by composers spanning the 19th century including two sonatas by Georges Onslow (1784–1853), a Suite by Balakirev, and shorter works by Reger, Grieg, Liszt, and Wagner(!). These brilliant performances, which previously appeared on two separate LPs, were digitally remastered from the original reel-to-reel tapes from 1978 and 1985 for optimal sound quality

Scarlatti on Fortepiano sheds new light on Domenico Scarlatti's keyboard sonatas and the early piano, or "fortepiano," of the composer's own time. The fortepiano, available to Scarlatti (1685-1757) in the royal palaces of Spain, was part of his sonic world. Yet almost all Scarlatti sonata recordings employ harpsichord or modern piano instead.