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Flutist Mathieu Dufour and oboist Alex Klein -- current and former principal players of the Chicago Symphony Orchestra -- shine as soloists in a CD of neglected gems from the early Romantic era. Charming virtuosic showpieces by Mendelssohn contemporaries Wilhelm Bernhard Molique and Ignaz Moscheles astound with their fresh melodies -- and with the jaw-dropping technique and expressive range they elicit from the wind soloists. Opening the program is a jewel of the high Classical period: Domenico Cimarosa's beloved Concerto for Two Flutes (played on flute and oboe).

This is an inspired pairing 20th-century French works for duo piano composed during the century’s greatest conflicts: Olivier Messiaen’s Visions de l’Amen (Visions of Amen) and Claude Debussy’s En blanc et noir (In Black and White). On other recordings, Visions de l’Amen typically appears alone or as part of an all-Messiaen program.

Renowned violinists Jennifer Koh and her distinguished mentor Jaime Laredo illuminate captivating connections between student and teacher, and composers across the centuries, in Two x Four, an album of four double-violin concertos, performed with the Curtis 20/21 Ensemble conducted by Vinay Parameswaran.

Lera Auerbach’s 24 Preludes for violoncello and piano (1999) receives its world-premiere recording on Celloquy in a performance by Ani Aznavoorian, an award-winning American cellist of international stature, and Auerbach, a Russian-born virtuoso pianist and one of the most widely-performed composers of the new generation.

"The musical communication between "childhood friends" Rachel Barton and Wendy Warner results in a natural, brilliantly effective dialog… Their partnership is a generous, equal one: and their timbres are ideally matched... musicianship of mature insight, hair-raising electricity, and intense involvement… Unhesitatingly recommended." - Fanfare

When the French say "Encore!" they actually mean "Not again!" And that's how jaded record collectors might feel toward another CD of piano encores. (The French yell "bis" to demand an extra piece at the end of a recital.) Yet Dmitry Paperno's Uncommon Encores explodes the notion that an encores album means showy musical chestnuts, roasted too many times over.

David Diamond's symphonies have found their way into numerous record collections. Now, Cedille Records has produced the only CD devoted to his chamber music, including world premiere recordings of three works.

Composer Frank Ferko's majestic new Stabat Mater (The Mother Stood) broadens the embrace of this profound medieval hymn depicting Mary at the Crucifixion. Ferko supplements the original Latin text on the theme of premature death with passages from classical Greek drama and modern verse.

This CD celebrates the life of innovative American composer Coleridge-Taylor Perkinson (1932-2004), whose accomplishments spanned the worlds of jazz, dance, pop, film, television, and classical music.

"You will look in vain for faults on this gorgeous new album of Hindemith clarinet chamber music.... Yeh is brilliant in everything, as is the sparkling, always-engaging playing of Easley Blackwood. The sound lacks nothing. This is somewhat of a landmark release and can't be ignored." (American Record Guide)

Harpsichord CDs typically serve up a heaping portion of a composer's closely related works. On this CD, however, Chicago's David Schrader presents a platter of four differently-seasoned Bach compositions. The disc opens with the lyrical Italian Concerto in F Major, BWV 971. In the program notes, Schrader describes this piece as "the apotheosis of Bach's many transcriptions from the works of many Italian composers."