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American composer and pianist Easley Blackwood continues to branch out in attractive new directions. On this CD, Blackwood Plays Blackwood, he performs world premiere recordings of his own recent piano compositions. Challenging to perform yet easy to listen to, these new works blend traditional forms with inventive harmonies.

A student of Nadia Boulanger, Olivier Messiaen, and Paul Hindemith (at Yale), Blackwood first garnered worldwide attention for his vigorous, modernist, highly original First Symphony, premiered in 1958 by conductor Charles Munch and the Boston Symphony Orchestra. As a pianist, he is cited in Baker’s Biographical Dictionary Musicians “for his performances of modern works of transcendental difficulty.” During most of his 40 years as a professor at the University of Chicago (1958-1997), he was an exponent of atonality. He came to embrace traditional tonality by way of his landmark study of microtonal music in the 1980s.

On this CD, the Indianapolis native performs five lyrical works for solo piano, completed between 1984 and 1996, including his first large-scale (28 minutes) composition for solo piano, the Sonata in F-sharp minor.

Preview Excerpts

EASLEY BLACKWOOD (b. 1933)

Five Concert Etudes, Op. 30

(1984) (17:08)

1
G-sharp minor, Allegro assai (3:12)
2
E major, Allegretto con moto (2:38)
3
B minor, Grave (4:09)
4
E-flat minor, Allegro capriccioso (3:45)
5
A major, Alla toccata (3:00)
6
Nocturne in C major, Op. 41, No. 1 (3:35)
7
Nocturne in A minor, Op. 41, No. 2 (4:26)

Seven Bagatelles, Op. 36

(10:50)

8
A major, Veloce e leggerissimo (1:38)
9
G minor, Andante comodo (1:02)
10
C major, Allegro con brio (1:17)
11
D minor, Andante comodo (1:08)
12
C minor, Con anima (1:45)
13
A-flat major, Un poco adagio (2:20)
14
F major, Vivace (1:23)

Sonata in F-sharp minor, Op. 40

(28:04)

15
I. Un poco allegro (8:38)
16
II. Scherzo-Chorale-Scherzo (4:25)
17
III. Largo-Molto allegro-Largo (8:28)
18
IV. Allegro risoluto (6:20)

Artists

What the Critics Are Saying



“Both formally and emotionally, the logic of all the music in this collection, composed between 1984 and 1996, is uniformly clear; and for all their modulations and harmonic quirks these pieces remain . . . steadfastly tonal (or modal) in a way that, in spirit if not in specific idiom, often brings the nuance of Fauré and Medtner to mind . . . The music is often whimsical, often beautiful, and always interesting. The performances, of course, are first-rate, as [is] the engineering. Warmly recommended.”

Program Notes

Download Album Booklet

Solo Piano Compositions by Easley Blackwood

Notes by Easley Blackwood

Five Concert Etudes, Op. 30

My Five Concert Etudes were written between 1981 and 1984. Their idiom was suggested in part by discoveries associated with my research into microtonal scales. In particular, equal tunings of 16 and 18 notes contain seventh chords that may be arranged into attractive symmetric progressions that have analogous versions in the standard 12-note tuning. These progressions are not unlike what was emerging in the music of the impressionists at the turn of the 20th century. It is surprising that composers at that time did not discover them, although there are occasional hints to be found in Debussy and Scriabin. The first Etude was conceived so as to present the family of progressions in a systematic manner, as was the case with my Twelve Microtonal Etudes (1980) (Cedille CDR 90000 018).

Album Details

Total Time: 64:37

Recorded: December 1991, December 1993, June 1997 at WFMT, Chicago, Illinois
Producers: James Ginsburg & Burke Morton
Engineer: Bill Maylone
Production Assistant: David Dieckmann
Cover photo: Dan Rest
Design: Cheryl A Boncuore
Notes: Easley Blackwood

© 1998 Cedille Records/Cedille Chicago

CDR 90000 038