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The Pulitzer Prize in Music, established in 1943, is perhaps the most coveted award in American concert life. This new CD with Chicago's Grant Park Orchestra and Chorus and principal conductor Carlos Kalmar presents three Pulitzer Prize-winning works from the competition's earliest years: William Schuman's Secular Cantata No. 2, "A Free Song"; Aaron Copland's Suite from Appalachian Spring; and Leo Sowerby's The Canticle of the Sun for chorus and orchestra. These are the world-premiere recordings of the Schuman and Sowerby cantatas.

Conducted by Christopher Bell, Chicago's Grant Park Chorus is "as fine a symphony chorus as any to be found anywhere in the nation" (Chicago Tribune). Celebrating its 50th season, the chorus makes its a cappella CD debut with an all-American program of eight imaginative, moving, and sometimes whimsical works written between 1975 and 2005, including four world premieres.

A kindred spirit, celebrated American violinist Rachel Barton Pine performs music dedicated to and arranged by Maud Powell. Some of the composers you know: Chopin, Dvorak, Sibelius. Others are yours to discover: Beach, Bauer, Burleigh, and many more.

In Eleanor’s Words: Music of Stacy Garrop offers world-premiere recordings of three works by “a rising composer who . . . excites the enthusiasm of performers and audiences alike” (Pittsburgh Tribune-Review).

There's more to traditional Jewish popular music than klezmer clarinet and Fiddler on the Roof. Dancing on the Edge of a Volcano revives the lively genre of Jewish cabaret and music hall songs from early twentieth-century Vienna and other vibrant centers of Jewish life.

The Cavatina Duo, “excellent instrumentalists and sensitive musicians” (Sequenza21.com), has captivated concert audiences worldwide with their enchanting blend of Spanish passion and Balkan sensibility.

The New Budapest Orpheum Ensemble’s Jewish Cabaret In Exile follows its acclaimed recording debut, Dancing on the Edge of a Volcano — Jewish Cabaret, Popular, and Political Songs 1900–1945.

Visionary chamber-music group Fifth House Ensemble of Chicago aims for the stratosphere with Excelsior, its adventurous debut album on Cedille Records. The title refers to an experimental, extreme-altitude U.S. Air Force project of the Cold War era, reimagined as music by noted contemporary composer Caleb Burhans.

The Lincoln Trio is renowned for creating “worthwhile programs of serious classical music that are wholly winning and simply delightful” (ClassicsToday.com). For its newest Cedille Records album, “the brilliant Chicago-based Lincoln Trio” (WRTI-FM, Philadelphia) of violinist Desirée Ruhstrat, cellist David Cunliffe, and pianist Marta Aznavoorian has crafted a highly personal program of inventive 20th-century piano trios by composers from the individual players’ ancestral homelands of Switzerland, England, and Armenia, respectively.

This CD of Elliott Carter's adventurous early chamber music is designed to appeal to newcomers, as well as aficionados of this renowned contemporary American composer. "Early Chamber Music of Elliott Carter stands out amid Carter CDs because it's accessible from beginning to end," says producer Jim Ginsburg. "The selections are certainly substantial enough to appeal to the composer's hard-core fans, but without discouraging the uninitiated." The pieces, from 1945 to 1950, are "early" in the body of work that made Carter (1908-2012) famous, not the products of a novice composer.

Billy Collins, former U.S. poet laureate, has been hailed as the first American poet since Robert Frost to garner great critical acclaim and broad popular appeal in equal measure. Musical settings by five contemporary American composers — some sung, some narrated over instruments — shed new light on Collins's delightfully witty poetry.