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Friday, September 27, 2013

The Chicago Cultural Center
77 E. Randolph Street
6pm Reception, G.A.R. Rotunda
7pm Concert, Claudia Cassidy Theater
8pm Dinner with Cedille Artists, G.A.R. Hall
Cocktail Attire

The 3rd annual benefit for Cedille Chicago features
Rachel Barton Pine, violin
with Matthew Hagle, piano
and Trio Settecento

Please join us to celebrate Cedille Chicago’s successes and to raise funds to allow Cedille Records, and its nonprofit operating organization Cedille Chicago, NFP, to continue recording and promoting the artistry of Chicago’s finest musicians.

The evening’s performers have performed on more than 30 Cedille recordings, over 20% of the Cedille catalog. We hope you will join us for this special night with these extraordinary musicians.

If you cannot attend the event, please consider making a donation.

 


Here’s what others say about Cedille Records.
We hope you agree and will join us at Soirée Cedille!

Cedille Records is performing a major service to Chicago and Illinois musicians by preserving their work in recorded form. This not only gives exposure to these artists, but also documents for posterity the work being produced by them. The importance of this cannot be overstated.

—  Henry Fogel
Dean, Chicago College of Performing Arts at Roosevelt University
President and CEO, League of American Orchestras, 2003-2008
President, Chicago Symphony Orchestra, 1985-2003

There is virtually no “corporate approach” at Cedille, something that is unfortunately quite common elsewhere. At Cedille, I encounter a family of people interested in the project, from the top of organization (James Ginsburg) to the engineer and everyone I see there. Suddenly, it is not “my CD” anymore, it is everyone’s project, and everyone seems to be as eager to see a positive outcome as I am.

—  Alex Klein
Principal Oboe, Chicago Symphony Orchestra 1995–2004

Every release Cedille puts out is of outstanding quality; production values, from ensembles to repertory to booklet notes and package look are never anything less that superb. This is a great example of a locally-organized and locale-specific enterprise taking on global significance over time. It’s hard to find fault with any aspect of their releases, and believe me, as a longtime reviewer, I try hard.

—  Steven Ritter
Audiophile Audition

I want to thank you…. I didn’t know that what you’ve done on these works was actually humanly (and digitally) possible, so I’ll be holding other editors to this gold standard that you’ve shown to me.

—  Aaron Jay Kernis, composer
On the making of Symphony in Waves